I just submitted my proposal for the Society for Pentecostal Studies 2016 meeting in San Dimas, California (most excellent, dudes!) which is broadly themed “Worship, the Arts, and the Spirit”.
I am hoping my proposal gets accepted as in most previous years. I’ve titled my paper (which will end up as a part of my PhD thesis) “When Prophets Play the Lyre: Saul and the Strings of the Spirit”.
Here is my summary that I submitted (which is always fun to write when NONE of the paper has been written yet 🙂 ):
A recurring notion in 1 Samuel (chapters 10, 16, 18-19) appears to highlight the relation of King Saul to the Spirit, prophesying and the playing of the lyre. Saul initially receives the Spirit of the LORD and begins to prophesy as predicted by Samuel once Saul hears the music of the prophets at Gibeah. Later, the Spirit of the LORD departs from Saul and comes upon David. With the departure of the Spirit of the LORD a “troubling spirit of God” comes upon Saul causing sudden violent outbreaks. The only relief from the troubling spirit is the music of Spirit-endowed David on the lyre. Further, the “prophets prophesying” appears to function musically throughout this literary unit including with the overcoming of Saul twice to “prophesy” when encountering a group of prophets prophesying (in the first instance explicitly with music and suggestive in the second). A literary and theological interpretation of the relevant texts is offered for discerning the role of the Spirit in the instrumentation of the prophets in 1 Samuel with several proposed implications for Pentecostal practice.